There is a common misconception that opera belongs to the past. A recent example challenging this notion is the outstanding success of Jake Heggie’s Dead Man Walking, which premiered in 2000 and has since been performed worldwide. The new English National Opera (ENO) production runs at the London Coliseum from November 1 to 18.
This intense opera, grounded in true events, explores the interactions between an American nun and a convicted killer on death row. Many know the story from Sister Helen Prejean’s book or the subsequent film, but experiencing these characters' emotions through operatic singing offers a powerful, unique impact. Heggie’s score is unflinching in its emotional depth.
Although ENO faces challenges currently, if they deliver a strong production, this opera could become a standout of the season.
“There’s a mistaken tendency to think of opera as past history. And among recent proofs has been the phenomenal success of Jake Heggie’s Dead Man Walking.” – Michael White
Author's summary: Jake Heggie’s Dead Man Walking reinvigorates contemporary opera with its gripping true story and emotional intensity, promising a highlight for London's season.